Global Chart Report
----------------------------------
Lady GaGa tops
both hitlists
Sunday, March 16, 2025
by Fred Chuchel, Dresden
'Die With A Smile' by Lady GaGa &
Bruno Mars held the top position of
the Global Track Chart between the
calendar week 37 and 43 last year.
Now, after a long, long time, it
returns to the summit for an eighth
week with 404,000 points, parallel
to Lady GaGa's album release. In the
meantime it stood well behind 'Apt.'
by
South Korean singer, songwriter
Rosé in collaboration with Bruno
Mars. In these 20 weeks the gap
between the two songs fluctuated
between 6,000 points (calendar week
10, 2025) and 115,000 points
(calendar week 49, 2024).
Broken
down by segments, 'Die With A Smile'
generated 303,000 points by
streaming this week (down 1%),
40,000 points by sales (up 11%), and
61,000 points by airplay (down 2%).
'Apt.' sails to the runner-up slot
with 402,000 points, down 3%
compared to the previous week with
271,000 points by streaming, 34,000
points by sales, and 97,000 points
by airplay. With 19 weeks at number
one 'Apt.' gets the
longest stay at the
summit since Miley Cyrus 'Flowers'
held that position for 24 weeks two
years ago.
Without 'Apt.' the Grammy-decorated
'Die With A Smile' would have been number one now
for an unbelievable 27th week!
Furthermore the song has a big
potential to come dangerously
close to the top
spots of the
ALL TIME CHART,
where Elton John's 'Candle In The
Wind 1997' leads since 27 years with
a total of 21,314,000 points. The
Weeknd's 'Blinding Lights' from 2019
ranks there at the runner-up slot
with 21,290,000 points and Mariah
Carey's eternal carol 'All I Want
For Christmas Is You' from 1994
holds no.3 with 19,433,000 points.
Billie Eilish's 'Die With A Smile'
remains at no.3 on our weekly
hitlist with
240,000 points (down 5% compared to
the previous week with 177,000
points by streaming, 27,000 points
by sales, and 36,000 points by
airplay.) Now we have the same
constellation in the top three as in
the weeks 44, 2024 till 51, 2024 and
in the weeks 2, 3, 7 of 2025 and
last week.
Added together it's the 13th week
for that constellation, the longest
for a top three in our 70 year chart
history! Highest debut of the week
comes from American rapper and
songwriter Doechii. Her 'Anxiety'
debuted at no.9 globally with
175,000 points. The song was
originally self-released to YouTube
on November 10, 2019. It was
re-recorded in 2025 following it
gaining traction on social media
platforms, being released to
streaming platforms on March 4,
2025. 'Anxiety' contains a prominent
sample of the 2011 song 'Somebody
That I Used To Know' by Gotye feat.
Kimbra.
Outside
our current Top 40 waiting among
other 'Vanish Into You' by Lady GaGa
at no.45 and 'Capaz (Merengueton)' by Alleh
& Yorghaki at no.49 for their first appearance on the
hitlist. Lady GaGa is the clear
winner on this week's Global Album
Chart. Her sixth studio album
'Mayhem' rockets to the number one
position with 362,000 equivalent
sales (252,000 points by sales +
110,000 points by streaming). Lady
GaGa's former studio set
'Chromatica' started nearly five
years ago in the calendar week 24,
2020 at no.2 globally with 487,000
sales. By the way her debut album
'The Fame (Monster)' ranks this week
at no.29 with 43,000 equivalent
sales and generated a total of more
than 17 million sales to date.
Second highest debut of the week
comes from Blackpink member Jennie.
Her debut solo album 'Ruby' arrives
at the runner-up slot globally with
252,000 consumption units (69,000
points by streaming + 183,000 points
by sales). SZA's 'SOS' is the big
dinosaur on the current Top 20 with
a presence of massive 93 weeks!
Nevertheless the album rises back to
no.3 with another 124,000 equivalent
sales (117,000 points by streaming +
7,000 points by sales). Little
fun-fact: This week there's no
Taylor Swift album on our hitlist,
the last time that this happened was
exactly 125 weeks ago (nearly two
and a half years). And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 10,000 / 16,638,000,
'1989 (Taylor's Version)' by Taylor
Swift 24,000 / 6,632,000, '21' by
Adele 20,000 / 33,635,000, '25' by
Adele 15,000 / 25,533,000, '30' by
Adele 10,000 / 6,747,000, 'After
Hours' by The Weeknd 25,000 /
10,649,000, 'Chromakopia' by Tyler,
The Creator 43,000 / 1,757,000, 'Cowboy Carter' by
Beyoncé 16,000 / 1,792,000, 'Divide'
by Ed Sheeran 23,000 / 21,646,000,
'Emails I Can't Send' by Sabrina
Carpenter 24,000 / 2,127,000,
'Equals' by Ed Sheeran 9,000 /
6,334,000, 'Eternal Sunshine' by
Ariana Grande 29,000 / 2,776,000,
'Evermore' by Taylor Swift 13,000 /
6,549,000, 'Fireworks &
Rollerblades' by Benson Boone 44,000
/ 2,407,000, 'From Zero' by Linkin
Park 24,000 / 1,057,000, 'Future
Nostalgia' by Dua Lipa 17,000 /
9,426,000, 'Guts' by Olivia Rodrigo
31,000 / 4,483,000, 'Harry's House'
by Harry Styles 12,000 / 7,403,000,
'Heroes & Villains' by Metro Boomin
14,000 / 4,707,000, 'I've Tried
Everything But Therapy (Part 1)' by
Teddy Swims 48,000 / 2,363,000,
'Incómodo' by Tito Double P 47,000 /
1,623,000, 'Lover' by
Taylor Swift 32,000 / 11,737,000,
'Midnights' by Taylor Swift 27,000 /
12,262,000, 'Muse' by Jimin 32,000 /
1,847,000, 'One Thing At A Time' by
Morgan Wallen 40,000 / 8,827,000,
'Red (Taylor's Version)' by Taylor
Swift 16,000 / 6,495,000, 'Starboy'
by The Weeknd 32,000 / 8,781,000,
'Stick Season' by Noah Kahan 42,000
/ 4,491,000, 'The Tortured Poets
Department' by Taylor Swift 52,000 /
9,704,000, 'The Highlights'
by The Weeknd 35,000 / 9,515,000,
'Un Verano Sin Ti' by Bad Bunny
39,000 / 8,567,000, 'Utopia' by
Travis Scott 26,000 / 5,187,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 26,000 /
12,485,000.
GLOBAL NO.1 - 40 YEARS
AGO
... Inspired by Band Aid's "Do They
Know It's Christmas?" in the UK, the
American entertainer and activist
Harry Belafonte decided to organize
a US equivalent. He planned to have
the proceeds donated to a new
organization, United Support of
Artists for Africa. The organization
would provide food and relief aid
for the 1983-1985 famine in
Ethiopia, which killed about one
million people. The final night of
recording was held on January 28,
1985, at A&M Studios in Hollywood
with stars like Michael Jackson,
Lionel Richie, Bruce Springsteen,
Stevie Wonder, Bob Dylan, Paul
Simon, Ray Charles, Cindy Lauper and
many others. Released on March 7,
1985, the song was a massive
success, especially in the United
States, where the initial shipment
of 800,000 records sold out within
three days of release, the fastest
selling single there up to that
time! "We Are The World" topped the
Year-End Chart 1985 with enormous
14,665,000 points and at the 1986
Grammy Awards, the song and its
music video won four awards: Record
of the Year, Song of the Year, Best
Pop Performance by a Duo or Group
with Vocal and Best Music Video,
Short Form.
USA
Billboard Report
(excerpt)
'Luther' leads Hot 100
a fourth week
Tuesday, March 18, 2025
by Keith Caulfield & Gary Trust,
Los Angeles
Kendrick Lamar and SZA’s
“Luther” tops the Billboard
hot 100 songs chart for a
fourth week. Three weeks
earlier, the single – whose
title is an tribute to late
R&B icon Luther
Vandross, who is sampled on
the track – became Lamar’s
sixth No. 1 and SZA’s third.
Lamar rewrites his longest
Hot 100 domination. “Luther”
totaled 55.6 million radio
airplay audience impressions
(up 3% week-over-week), 31.3
million official streams
(down 9%) and 3,000 sold
(down 24%) in the U.S. March
7-13. The track adds a
fourth week at No. 1 on the
Streaming Songs chart;
rises 3-2 for a new high on
Radio Songs;
and falls 8-17, after
reaching No. 4, on Digital
Song Sales. Below “Luther,”
Lamar lands two other songs
in the Hot 100’s top five:
“Not Like Us,” which holds
at No. 3, and “TV Off,”
featuring Lefty Gunplay,
down 4-5 after reaching No.
2. Lamar adds his sixth week
with at least three songs in
the Hot 100’s top five
simultaneously, after he
first scored such a triple
in December. He ties Drake
for the most such frames
among soloists, with The
Beatles the only act with
more. Elsewhere in the Hot
100’s top 10, Lady Gaga and
Bruno
Mars’ “Die With a Smile”
keeps at No. 2, following
five nonconsecutive weeks at
No. 1 beginning in January.
It notches a sixth week atop
Radio Songs (62.9 million,
down 3%). Shaboozey’s “A Bar
Song (Tipsy)” rises 5-4 on
the Hot 100, following its
record-tying 19 weeks at No.
1 beginning last July. ROosé
and Bruno Mars’ “Apt.”
repeats at No. 6 on the Hot
100, after hitting No. 3;
Chappell Roan’s “Pink Pony
Club” trots 8-7 for a new
best; and Drake’s “Nokia”
also pushes 10-8 for a new
high. Billie Eilish’s “Birds
of a Feather” dips 7-9 on
the Hot 100, after reaching
No. 2. Rounding out the Hot
100’s top 10, Teddy Swims’
“Lose Control,” which led
the list for a week in March
2024 – and became the year’s
No. 1 song – slips 9-10. It
notches an 82nd week on the
survey overall, the
fourth-longest stay in the
chart’s archives, below only
Glass Animals’ “Heat Waves”
(91 weeks, in 2021-22); The
Weeknd’s “Blinding Lights”
(90 weeks, 2019-22); and
Imagine Dragons’
“Radioactive” (87 weeks,
2012-14). Lady Gaga’s Mayhem
moves in at No. 1 on the
Billboard 200 albums chart,
as the set debuts atop the
tally dated March 22. It’s
the seventh leader for the
superstar. The set — her
seventh studio album —
launches with 219 equivalent
album units earned in the
U.S. in the week ending
March 13, according to
Luminate — the biggest week
of the year for an album by
a woman. It also scores Gaga
her largest streaming week
ever. Of Mayhem’s 219,000
first-week equivalent album
units, album sales comprise
136,000 (it’s the
top-selling album of the
week and debuts at No. 1 on
Top Album Sales), SEA units
comprise 80,500 (equaling
108.05 million on-demand
official streams of the
set’s songs; Gaga’s biggest
streaming week ever, and it
debuts at No. 1 on the Top
Streaming Albums chart) and
TEA units comprise 2,500.
Mayhem was officially
announced on Jan. 27 and
went up for pre-order that
same day. The set was
released on March 7 and was
preceded by a trio of top
40-charting titles on the
Billboard Hot 100 songs
chart: “Disease” (reaching
No. 27 in November 2024),
“Die With a Smile” (No. 1
for five weeks beginning in
January; a duet with Bruno
Mars), and “Abracadabra”
(No. 13 in February).
Kendrick Lamar’s GNX falls
to No. 2 on the latest
Billboard 200 with a little
more than 81,000 equivalent
album units earned (down
10%), while five more former
leaders round out the top
six. PartyNextDoor and
Drake’s $ome $exy $ongs 4 U
dips 2-3 (79,000; down 13%),
SZA’s SOS is steady at No. 4
(69,000; down 7%), Tate
McRae’s So Close To What
descends 3-5 (63,000; down
27%), and Sabrina
Carpenter’s Short n’ Sweet
falls 5-6 (61,000; down 5%).
Jennie’s first solo studio
album, Ruby, arrives at No.
7 on the new Billboard 200,
marking the Blackpink
member’s first chart entry.
The set launches with 56,000
equivalent album
units earned. Of that sum,
SEA units comprise
29,000 (equaling 39.93
million on-demand official
streams of the set’s songs;
it debuts at No. 13 on Top
Streaming Albums), album
sales comprise 26,500 (it
debuts at No. 2 on Top Album
Sales) and TEA units
comprise 500.
Ruby was preceded by three
charting titles on the Hot
100 songs chart: “Mantra,”
“Love Hangover” (with
Dominic Fike) and “ExtraL”
(with Doechii). Rounding out
the top 10 of the latest
Billboard 200, Bad Bunny’s
chart-topping Debí Tirar Más
Fotos falls 6-8 (52,000
equivalent album units; down
8%), Morgan Wallen’s former
leader One Thing at a Time
is a non-mover at No. 9
(43,000; up 3%), and
Chappell Roan’s The Rise and
Fall of a Midwest Princess
dips 8-10 (42,000; down 1%).
Record Of The Month
The song was
originally self-released by
American rapper and
songwriter Doechii to
YouTube
on November 10,
2019. It was re-recorded in
2025 following it gaining
traction on social media
platforms, being released to
streaming platforms on March
4, 2025. 'Anxiety' contains
a prominent sample of the
2011 song 'Somebody That I
Used To Know' by Gotye feat.
Kimbra.
United Kingdom
Music Week Report
(excerpt)
'Pink Pony Club'
remains at the top spot
Monday, March 17, 2025
by Alan Jones, London
Chappell Roan lengthens her
stride and gallops to a
second straight week at No.1
with Pink Pony Club upping
the ante again, with a 1.00%
increase in consumption to
39,032 units (62 vinyl
singles, 1,245 digital
downloads and 37,725
sales-equivalent streams) –
the highest since its
release, some 258
weeks ago.
Its to-date consumption now stands at 697,457 units – more than all but one Pony
song, the exception being Ginuwine’s 1997 No.16 hit Pony, which has to-date
consumption of 1,229,004 units. On a wider equine ranking, Katy Perry’s 2013
No.4 hit Dark Horse (feat, Juicy J), takes pole position, with to-date
consumption of 1,809,651 units, having become Perry’s third triple platinum
(1.8m units) single three weeks ago. Her 2010 No.1 collaboration with Snoop
Dogg, California Gurls, also joined the club this week (1,801,742 units).
Little more than a week after being released to streaming services for the first
time, Doechii’s Anxiety – which originates from her Coven sessions for YouTube
in 2019 – is the highest of five new entries to the Top 75, catapulting to a
No.4 debut on consumption of 28,619 units. A viral smash on TikTok it is the
26-year-old Floridian singer/rapper’s sixth Top 75 entry, second and
highest-charting Top 10 hit.
It effectively
halts the march of the version of the track credited to Sleepy
Hallow feat. Doechii. That version, which samples the Doechii original
extensively, was No.52 in 2023, and hurtled back onto the chart last week at
No.15, but slips back to No.16 (18,819 sales) this week. As mentioned last week,
both versions of Anxiety are prodded by a sample from Gotye’s 2012 No.1 Somebody
That I Used To Know, Doechii’s solo version more prominently than the Sleepy
Hallow version. They are great reminders of the original Gotye hit, which
featured Kimbra, and which saw a 10.87% increase in consumption this week to
7,924 units – its highest level for 637 weeks (more than 12 years), raising its
lifetime cume to 3,277,144 units. Incidentally, if the Doechii solo version had
been charted first, the Sleepy Hallow version could have been added as a remix,
and the pair combined together for chart purposes, in which case the track would
be No.1 this week on consumption of 47,438 units.
Increases in consumption in excess of 20% push Ordinary (3-2, 34,018 sales) by
Alex Warren and Busy Woman (12-8, 25,346 sales) by Sabrina Carpenter to new
peaks. Carpenter’s track previously peaked at No.10 on debut three weeks ago.
Earlier hits by both are also growing, namely Warren’s Carry You Home (28-24,
15,327 sales) and – reaching a new peak - Burning Down (37-33, 11,859 sales);
and the currently touring Carpenter’s Bed Chem (19-13, 21,386 sales) and Please
Please Please (18-14, 21,357 sales).
Powered by streaming of her new Mayhem album, Abracadabra, which peaked at No.3
four weeks ago, returns to that position (6-3, 30,211 sales) for Lady Gaga. Die
With A Smile, her No.2 hit collaboration with Bruno Mars, also reclaims lost
ground jumping 22-18 (18,430 sales), while her primary artist allotment is
filled by new hit Garden Of Eden, which debuts at No.23 (16,857 sales) to become
her 35th Top 75 and 32nd Top 40 hit. 10 more tracks from Mayhem are among 22
songs ‘starred-out’ of the Top 75 this week.
The rest of the Top 10: Beautiful Things (4-5, 27,978 sales) by Benson Boone,
Sports Car (5-6, 27,383 sales) by Tate McRae, Not Like Us (2-7, 26,986 sales) by
Kendrick Lamar, Bad Dreams (10-9, 22,874 sales) by Teddy Swims and Nice To Meet
You (8-10, 22,439 sales) by Myles Smith.
Overall singles consumption is up 0.56% week-on-week to 30,652,612 units, 6.79%
above same week 2024 consumption of 28,703,865 units. Paid-for sales are up
0.38% week-on-week at 253,921, 5.23% below same week 2024 sales of 267,940.
A return to form that has already generated three Top 10 singles, Lady Gaga’s
newly-unleashed Mayhem album duly debuts at No.1 this week, racking up first
week consumption of 55,577 units (20,937 CDs, 13,339 vinyl albums, 1,883
cassettes, 2,463 digital downloads and 16,955 sales-equivalent streams).
Outselling the rest of the Top 5, it provides Gaga’s highest first week sale
since 2013, when her third album, Artpop, debuted at No.1 on consumption of
65,608 units.
Mayhem is Gaga’s sixth No.1 album, joining regular studio sets The Fame (2009),
Born This Way (2011), Artpop and Chromatica (2020) and 2018 Motion Picture Cast
Recording, A Star Is Born, which also features Bradley Cooper. It arrives at the
summit a mere 23 weeks after Gaga’s last album, Harlequin – largely comprising
jazz standards – debuted at No.59. It peaked at No.11 a fortnight later, and was
a companion album to the film Joker: Folie à Deux, in which she starred as
Harley Quinn (sic).
There was also a 16-song soundtrack set for Joker: Folie à Deux, which had no
overlap with Harlequin, and on which Gaga sang on nine songs, with co-star
Joaquin Phoenix on 11. Mayhem’s first week sales are almost three times the
combined to-date tallies of Harlequin (14,449 sales) and Joker: Folie à Deux
(3,704 sales).
Gaga’s oeuvre includes collaborations with Tony Bennett, remix albums and
soundtracks, as well as bona fide solo sets. Mayhem is widely regarded as her
seventh (solo) studio album, but it is her 10th Top 10 and 12th Top 75 entry on
the artist album chart in total.
Her 2008 debut, The Fame, remains her biggest-seller by some distance, with
to-date consumption of 3,479,924 units (this total excludes the separately
tracked The Fame Monster [93,510 units]). Surprisingly, her only other platinum
albums are second release Born This Way (1,176,726 units including a Gaga best
of 215,639 units the week it was released in 2011) and A Star is Born (720,836
units).
Jennie – 29-year-old singer and rapper Jennie Kim – becomes the third member of
K-Pop band Blackpink to chart a solo album in the last three months, and the
most successful, with her introductory solo set, Ruby, debuting at No.3 (16,856
sales), thereby eclipsing bandmates Rosé – who reached No.4 with debut solo set,
Rosie, 13 weeks ago – and Lisa, whose Fxck Up The World reached No.20 last week.
Of the band’s members, only Jisoo – whose mini album Amortage dropped last month
– has yet to chart an album solo. As a group, Blackpink have landed three albums
on the UK chart, reaching No.1 with 2022 set Born Pink.
Sabrina Carpenter’s Short N’ Sweet (1-2, 20,660 sales) and Tate McRae’s So Close
To What (6-4, 10,100 sales) complete an all-solo, all-female top four – the
first such configuration since Beabadoobee, Chappell Roan, Charli XCX and Taylor
Swift did likewise 30 weeks ago. Carpenter’s album enjoys a 16.32% uplift in
consumption, as she ends her current batch of UK tour dates in Manchester
tonight (March 14). Her 2022 album Emails I Can’t Send secures an even bigger
28.62% increase in consumption week-on-week to 3,195 units as it sprints 67-40,
surpassing the previous peak of No.41 it achieved 37 weeks ago.
The rest of the Top 10: People Watching (4-5, 8,266 sales) by Sam Fender, +-=÷×
Tour Collection (8-6, 7,505 sales) by Ed Sheeran, The Rise And Fall Of A Midwest
Princess (9-7, 6,758 sales) by Chappell Roan, 50 Years: Don’t Stop (15-8, 6,610
sales) by Fleetwood Mac, SOS (13-9, 6,423 sales) by SZA and The Highlights
(14-10, 6,365 sales) by The Weeknd.
Overall album sales are down 0.43% week-on-week at 2,563,451 units, 8.16% above
same week 2024 sales of 2,369,978. Physical product accounts for 304,842 sales,
11.89% of the total.