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Global Chart Report
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'Apt.' reigns a 16th week at no.1
Sunday, February 16, 2025
by Fred Chuchel, Dresden

 

What a difference! One year ago, in the calendar week 2024, Tate McRae's 'Greedy' topped the Global Track Chart with 230,000 points. This week even the eighth place has more points (Gracie Abrams' 'That's So True' with 231,000) and the current number one has more than twice as many points: 'Apt.' by South Korean singer, songwriter Rosé in collaboration with Bruno Mars keeps the crown for an impressive 16th non-consecutive week with another 477,000 points, an 4% decrease compared to last week. The song gets the longest stay at the summit since Miley Cyrus 'Flowers' held that position for 24 weeks two years ago. Broken down by segments, 'Apt.' generated 334,000 points by streaming this week (down 4%), 39,000 points by sales (down 5%), and 104,000 points by airplay (down 2%). 'Die With A Smile' by Lady GaGa & Bruno Mars follows still at the runner-up slot with 467,000 points (down 2% with 358,000 points by streaming, 41,000 points by sales, and

68,000 points by airplay). Without 'Apt.' the Grammy-decorated tune would have been number one now for a 23rd week. Furthermore it stays a 17th week at no.2, never before in history a song spent such a long time at the runner-up slot. 'Die With A Smile' has a big potential to come dangerously close to the top spots of the ALL TIME CHART, where Elton John's 'Candle In The Wind 1997' leads since 27 years with a total of 21,314,000 points. The Weeknd's 'Blinding Lights' from 2019 ranks there at the runner-up slot with 21,290,000 points and Mariah Carey's eternal carol 'All I Want For Christmas Is You' from 1994 holds no.3 with 19,433,000 points. Kendrick Lamar is the big winner of the week, after his performance at the Super Bowl Halftime Show and the Grammy Awards. His famous diss track 'Not Like Us' is the most decorated song in Grammy Awards history, sweeping all five of its nominations at the 67th ceremony: Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video. The smash placed 25 weeks inside the Top 40 last year and ranked at no.21 on the Year-End Chart of that year with 4,752,000 points. This week it catapults back from no.27 to no.3 with 358,000 points, a massive 201% boost with 284,000 points by streaming, 68,000 points by sales, and 6,000 points by airplay. And three collabs with singer / songwriter SZA rush forward, 'Luther' climbs back to its previous high at no.5 with 290,000 points, 'All The Stars' from 2018 turns back at no.18 with 165,000 points, and '30 For 30' appears for the first time at no.36 with 99,000 points. Outside our current Top 40 waiting among other 'Capaz (Merengueton)' by Alleh & Yorghaki at no.46 and 'The Days (Notion Remix)' by Chrystal feat. Notion at no.56 for their first appearance on the hitlist. Kendrick Lamar returns at the summit of the Global Album Chart for a second week with his sixth studio album 'GNX'. The set started in the calendar week 49, 2024, with 391,000 equivalent sales. Now it returns to the pole position with 261,000 consumption units (114,000 points by streaming + 147,000 points by sales). Rounds out the top three are two albums from South Korea: 'Ive Empathy' by the girl group Ive bows at no.2 with 248,000 equivalent sales and 'Caligo Pt.1' by the virtual band Plave follows at no.3 with 234,000 points. And now, as every week, additional stats from outside the current Global Album Top 20 in alphabetic order, the first figure means last week's sales, the second figure the total sales: '1989' by Taylor Swift 11,000 / 16,598,000, '1989 (Taylor's Version)' by Taylor Swift 28,000 / 6,531,000, '21' by Adele 21,000 / 33,552,000, '25' by Adele 16,000 / 25,470,000, '30' by Adele 11,000 / 6,707,000, 'After Hours' by The Weeknd 30,000 / 10,544,000, 'Cowboy Carter' by Beyoncé 25,000 / 1,719,000, 'Divide' by Ed Sheeran 21,000 / 21,557,000, 'Emails I Can't Send' by Sabrina Carpenter 27,000 / 2,030,000, 'Equals' by Ed Sheeran 8,000 / 6,301,000, 'Eternal Sunshine' by Ariana Grande 28,000 / 2,663,000, 'Evermore' by Taylor Swift 17,000 / 6,494,000, 'Fireworks & Rollerblades' by Benson Boone 52,000 / 2,228,000, 'From Zero' by Linkin Park 31,000 / 954,000, 'Future Nostalgia' by Dua Lipa 14,000 / 9,368,000, 'Guts' by Olivia Rodrigo 33,000 / 4,358,000, 'Harry's House' by Harry Styles 12,000 / 7,358,000, 'Heroes & Villains' by Metro Boomin 18,000 / 4,645,000, 'Lover' by Taylor Swift 37,000 / 11,595,000, 'Midnights' by Taylor Swift 29,000 / 12,152,000, 'Muse' by Jimin 33,000 / 1,714,000, 'One Thing At A Time' by Morgan Wallen 40,000 / 8,679,000, 'Red (Taylor's Version)' by Taylor Swift 17,000 / 6,431,000, 'Starboy' by The Weeknd 34,000 / 8,651,000, 'Stick Season' by Noah Kahan 46,000 / 4,320,000, 'The Death Of Slim Shady (Coup De Grâce)' by Eminem 12,000 / 1,493,000, 'The Highlights' by The Weeknd 43,000 / 9,366,000, 'Un Verano Sin Ti' by Bad Bunny 39,000 / 8,407,000, 'Utopia' by Travis Scott 27,000 / 5,086,000, and 'When We All Fall Asleep, Where Do We Go?' by Billie Eilish 24,000 / 12,384,000.



GLOBAL NO.1 - 70 YEARS AGO ... Originally "Sincerely" was a doo-wop song by the Moonglows and 1954 a minor hit in the United States. The best-selling version of the song was a traditional pop cover recorded by the McGuire Sisters, which reached the no.1 position and was eventually certified as a gold record for one million copies sold. By the way, co-writing credits were shared by Moonglows band member Harvey Fuqua and disk jockey Alan Freed. After it became known that Freed has inappropriately claimed songwriter credits for songs by bands he promoted (associated with his downfall in a payola investigation years later), Fuqua noted that Freed had in fact contributed to the songwriting for "Sincerely", thus his claim to a songwriting credit in this case was legitimate.


USA
Billboard Report
(excerpt)
Kendrick Lamar's 'Not Like Us' surges back to No. 1
Tuesday, February 18, 2025
by Keith Caulfield & Gary Trust, Los Angeles


The song reigns for the first time since July. The scathing diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week

atop the Hot 100. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks between Nos. 2 and 6. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at no. 1 on the July 20 chart, following the July 4 premiere of its official video. “Not Like Us” leads the Hot 100 again after a break of 29 chart weeks (and 30 total, encompassing a week off the chart while holiday hits decorated the ranking) – the third-longest break between time at No. 1 in the chart’s 66-year history (surpassing two hits that waited nine weeks each between stays on top: Olivia Rodrigo’s "Vampire" in 2023, and Miley Cyrus’ "Wrecking Ball" in 2013). “Not Like Us,” on Interscope, totaled 49 million official streams, 20.5 million radio airplay audience impressions and 33,000 sold in the U.S. Feb. 7-13. It surged by 156%, 31% and

432% in the metrics, respectively, week-over-week. The track soars 9-1 for its seventh week atop the Streaming Songs chart, and its first since the July 27, 2024, survey, as it logs its sixth-best weekly streaming total; 10-1 for its first week atop Digital Songs Sales, where, with its best sales week, it becomes Lamar’s third leader; and 42-30 on Radio Songs, after it reached No. 7 in August. Joining “Not Like Us” at No. 1 on the Hot 100, Lamar’s “Luther,” featuring SZA, ascends 3-2 for a new best and “TV Off,” featuring Lefty Gunplay, jumps 10-3, after reaching No. 2. Lamar performed the songs as the eighth, 10th and 11th songs during his halftime set. “Luther” drew 42.7 million streams (up 94%) and “TV Off,” 35.7 million (up 77%), Feb. 7-13. Lamar previously monopolized the Hot 100’s top three on the chart dated Dec. 7, with, at Nos. 1-3, respectively, “Squabble Up,” “TV Off” and “Luther.” In addition to his two triples, The Beatles boasted the top three for five weeks in 1964, followed by Ariana Grande (one week, 2019), Drake (three, 2021-23) and Taylor Swift (three, 2022-24). Chappell Roan’s “Pink Pony Club” races 18-9 on the Hot 100, led by 20.7 million in radio reach (up 11%) and 20.1 million streams (up 10%). SZA’s “30 for 30,” featuring Lamar, roars 22-10 on the Hot 100, with 21.4 million streams (up 43%) 16.5 million in airplay audience (up 10%) and 1,000 sold (up 75%). Lady Gaga and Bruno Mars’ “Die With a Smile” drops to No. 4 on the Hot 100 following five nonconsecutive weeks at No. 1 beginning in January. It notches a second week atop Radio Songs (63.5 million, up 2%). Lamar also ranks in the Hot 100’s top 10 with “Squabble Up” (20-5), led by its 85% gain to 27.8 million streams following its inclusion in his halftime show setlist. Billie Eilish’s “Birds of a Feather” falls 4-6 on the Hot 100, after hitting No. 2. Rosé and Bruno Mars’ “Apt.” descends 6-7 on the Hot 100 after reaching No. 3. Plus, Shaboozey’s “A Bar Song (Tipsy)” wobbles 5-8 on the Hot 100, following its record-tying 19 weeks at no. 1 beginning last July. Kendrick Lamar's GNX jumps back to No. 1 on the Billboard 200 albums chart, for a second week atop the list (rising 4-1 on the survey dated Feb. 22), following his Super Bowl halftime show (Feb. 9) and the set’s release on physical formats. (It was previously only available to stream, and to purchase as a digital download album.) According to Luminate, of the 236,000 equivalent album units earned by GNX in the week ending Feb. 13 in the U.S., SEA units comprise 117,000 (up 86%; equaling 161.01 million on-demand official streams of the set’s songs; it jumps 4-1 on Top Streaming Albums), album sales comprise 116,000 (up 10,100%; it reenters at No. 1 on Top Album Sales for its first week at No. 1 on that chart) and TEA units comprise 3,000. The set’s 236,000 units earned mark its largest week since it debuted at No. 1 on the Dec. 7, 2024-dated chart with 319,000. With GNX selling 116,000, that marks Lamar’s largest sales week for an album since DAMN. debuted with 353,000 sold in its first week (chart dated May 6, 2017). Of GNX’s 116,000 sold, vinyl sales comprise 87,000 — Lamar’s best week ever on vinyl. GNX was released on physical formats for the first time on Feb. 7, on CD, cassette and five vinyl variants. As Lamar has three albums concurrently in the top 10 on the Billboard 200, he’s the first living male artist to achieve that feat since Herb Alpert on the Dec. 24, 1966-dated chart (when he, along with the Tijuana Brass, had three titles in the top 10). The most recent act, overall, with at least three albums in the top 10 was Taylor Swift on the Dec. 9, 2023, chart, when she had five in the region. GNX is currently in its 12th consecutive week on the chart and has yet to depart the top five on the weekly tally. Former No. 1 DAMN. drives 29-9 on the Billboard 200 with 39,000 equivalent album units earned (up 93%) and good kid, m.A.A.d city jumps 27-10 with 37,000 units (up 71%). DAMN. spent four weeks atop the list in 2017, and it was last in the top 10 on the March 17, 2018-dated chart, when it ranked at No. 9. The good kid album peaked at No. 2 in 2012 and was last in the top 10 on the Nov. 24, 2012-dated chart, when it placed at No. 9. SZA, who was a special guest performer during Lamar’s halftime show, sees her former No. 1 SOS climb 3-2 on the latest Billboard 200 with 109,000 equivalent album units earned (up 33%). The album was reissued on Feb. 9 with four additional tracks. The Weeknd’s Hurry Up Tomorrow falls 1-3 on the Billboard 200 in its second week (101,000 equivalent album units; down 79%), Bad Bunny’s chart-topping Debí Tirar Más Fotos descends 2-4 (78,000; down 17%) and Chappell Roan’s The Rise and Fall of a Midwest Princess climbs 6-5 (59,000; up 19%). Billie Eilish’s Hit Me Hard and Soft falls 5-6 (56,000 equivalent album units earned; up 6%), Sabrina Carpenters’s former leader Short n’ Sweet is steady at No. 7 (51,000; up 5%) and Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 8 (41,000; down 8%).


Record Of The Month
Federico Olivieri, better known as Olly, won the Sanremo Music Festival 2025
with the song 'Balorda Nostalgia'
and he automatically receives the ticket for the Eurovision Song Contest.


United Kingdom
Music Week Report
(excerpt)
Lola Young's 'Messy' is still number one
Monday, February 17, 2025
by Alan Jones, London

 
Messy is No.1 for Lola Young for the fourth straight week, despite consumption easing 8.37% to 51,751 units (207 7-inch singles, 2,193 digital downloads and 49,351 sales-equivalent streams). Hitting ACR simultaneously, and thus having the value of their streams halved, three of last week’s top five are

no longer in that region of the chart, with Apt falling 2-8, (23,894 sales) for Rosé & Bruno Mars, That’s So True ebbing 3-14 (20,338 sales) for Gracie Abrams and Sailor Song sinking 5-29 (13,973 sales) for Gigi Perez. With last week’s No.10, The Door by Teddy Swims, similarly stricken – falling to No.43 (10,198 sales) – the Top 10 is refreshed, with three songs making their first appearances therein, three returning (one at a new peak) and Abracadabra – which debuted at No.6 last week for Lady Gaga - surging to No.3 on consumption of 42,973 units on its first full week of availability. Gaga’s other current hits experience mixed fortunes: Bruno Mars collaboration Die With A Smile ebbs 13-19, (19,976sales) while Disease bounces 68-48 (9,154 sales). They peaked at No.2 and No.7, respectively. All three songs are from Gaga’s upcoming album, Mayhem, and provide her with her first streak of three consecutive Top 10 hits since Born This Way, Judas and The Edge Of


Glory in 2011. 24-year-old Californian singer/songwriter and internet personality Alex Warren had solid Top 40 hits with Carry You Home and Burning Down last year but powers into the Top 10 for the first time with new song Ordinary (No.7, 29,884 sales) becoming the highest of eight Top 75 debuts this week. Both earlier hits rally too, with Carry You Home, which peaked at No.23, climbing 32-28 (14,160 sales) while Burning Down surges 49-34 (12,013 sales), surpassing its previous peak of No.35, achieved on debut 20 weeks ago. Released in April 2020, and previously peaking at No.13 last October, Pink Pony Club bounced 26-14 after Chappell Roan was named as Best New Artist at the Grammy Awards and performed the track earlier this month. It maintains its impetus this week, jumping to No.4 (35,934 sales) to become Roan’s third Top 10 entry. Roan’s first hit, Good Luck Babe! (28-22, 16,296 sales) and Red Wine Supernova – a re-entry at No.32, just one notch below its peak – also climb. Fellow Grammy winner Doechii (Best Rap Album) makes the Top 10 for the first time in her career with Denial Is A River powering 16-9 (23,490 sales), and secures her fourth Top 75 entry with Nissan Altima (81-66 7,850 sales). Meanwhile, Kendrick Lamar’s Superbowl LIX halftime performance galvanises his diss track Not Like Us, which surges 27-2 (45,822 sales), surpassing the No.6 peak it scaled 39 weeks ago. It also precipitates rebounds for SZA collaborations Luther (34-10, 23,276 sales) and All The Stars, a re-entry at No.11 (21,871 sales). And, as secondary artist, he also reaches a new peak with another SZA collaboration, 30 From 30, which jumps 73-39 (11,225 sales), improving on its previous best of No.60. Not to be outdone, SZA has five songs in the Top 75, the three Lamar collabs plus the rallying BMF (56-51, 9,073 sales) and new hit Open Arms (feat. Travis Scott, No.74, 6,900 sales). Open Arms is SZA’s 25th hit, Scott’s 45th. No.1 last March, Beautiful Things is back in the Top 10 for the first time in 37 weeks for Benson Boone, vaulting 33 -6 (30,046 sales). He lost out to Chappell Roan on the best new artist Grammy but is nominated for Best International Artist, with Beautiful Things up for Best International Song at the upcoming Brit awards. Rounding out the Top 10: The Days (4-5, 31,775 sales) by Chrystal. Overall singles consumption is down 0.46% week-on-week to 30,259,353 units, 3.69% above same week 2024 consumption of 29,181,901 units. Paid-for sales are down 2.49% week-on-week at 258,530, 11.52% below same week 2024 sales of 292,202. Bigger than Madonna: Taylor Swift racks up the 13th No.1 album of her career, with Lover (Live From Paris) making a belated Top 75 debut two years to the week after its initial release. In so doing, she eclipses Madonna’s tally of 12 to become the most female solo artist with most No.1 albums in chart history She now ranks joint third among all artists - alongside Elvis Presley – for most No.1 album with only The Beatles and Robbie Williams (15 apiece) ahead of her. First released in a very limited double vinyl, heart-shaped edition exclusive to her website for Valentine’s Day 2023, when it debuted and peaked at No.90 (1,618 sales), Lover (Live From Paris) was deleted before they shipped but was briefly made available again for pre-order on the website recently in a larger but still limited edition, with consequent sales of 46,812 copies in the latest frame being the highest DUS for a No.1 album in 14 weeks. That fact is all the more remarkable since the album is only available on vinyl with no other physical formats available, and no streaming. The last vinyl album to sell more copies in a week was (natch) Swift’s last new studio album, The Tortured Poets Department, which attracted sales of 66,388 copies in that format when it debuted at No.1 on consumption of 270,091 units in April 2024. Lover (Live From Paris) is also the first album to reach No.1 without a streaming element since Swift’s own Reputation opened at the summit in November 2017 on sales of 83,648 units (41,853 CDs, 41,795 digital downloads). Irish rock quartet Inhaler have yet to have a hit single but their fanbase continues to build, with their third album, Open Wide, achieving their highest first week sale yet – 19,584 units - as it debuts at No.2. Inhaler hit the ground running with 2021 debut It Won’t Always Be Like This, which topped the chart on debut on consumption of 17,728 units. 2023 follow-up, Cuts & Bruises, sold 27 copies more on debut in 2023, but had to settle for second place. Comprising vocalist and guitarist Elijah Hewson, guitarist Josh Jenkinson and drummer Ryan McMahon (all 25) and 24-year-old bassist Robert Keating, the Dublin band make it three No.1s in a row in their native Ireland. The rest of the Top 10: Hurry Up Tomorrow (1-4, 10,584 sales) by The Weeknd, Short n’ Sweet (3-5, 9,945 sales) by Sabrina Carpenter, The Rise And Fall Of A Midwest Princess (6-6, 8,977 sales) by Chappell Roan, Can’t Rush Greatness (2-7, 8,540 sales) by Central Cee, SOS (7-8, 8,311 sales) by SZA, Hit Me Hard And Soft (8-9, 7,916 sales) by Billie Eilish and The Highlights (4-10, 7,477 sales) by The Weeknd. Overall album sales are up 1.19% week-on-week at 2,585,280 units, 6.29% above same week 2024 sales of 2,432,250. Physical product accounts for 359,376 sales, 13.90% of the total. With all of the top three selling more than 5,000 copies on vinyl for the first time this century, vinyl sales are up 44.54% week-on-week at 177,296 units. Vinyl outsold CDs (176,088 sales) for the first time since the final week of 2023 (200,198 vs. 199,591) and for only the third time in the 1,311 weeks that have thus far elapsed in the 21st century.

GLOBAL ALBUM CHART          GLOBAL TRACK CHART