GLOBAL NO.1 - 30 YEARS AGO... "Vogue" was released on March 27, 1990 as the lead single of the soundtrack album I'm Breathless (1990). Madonna was inspired by vogue dancers and choreographers Jose Gutierez Xtravaganza and Luis Xtravaganza from the Harlem House Ball community, the origin of the dance form, and they introduced Vogueing to her at the Sound Factory club in New York City. "Vogue" is an upbeat house song which set trends in dance music in the 1990s with strong influences of 1970s disco within its composition. It also contains a spoken section, in which Madonna name-checks various golden-era Hollywood celebrities. Lyrically, the song is about enjoying oneself on the dance floor no matter who one is, and it contains a theme of escapism. "Vogue" reached the no.1 spot in the United States, United Kingdom, Canada, Australia, Italy, Spain, Portugal, Sweden, Norway, and New Zealand. At the end of the year 1990 the song landed at the runner-up slot of the Global Countdown Chart with a total of 8.575.000 points.

USA
Billboard Report (excerpt)
Ariana Grande & Justin Bieber 'Stuck With U' at no.1
Tuesday, May 19, 2020
by Keith Caulfield & Gary Trust, Los Angeles

Ariana Grande and Justin Bieber's "Stuck With U" debuts at No. 1 on the Billboard Hot 100 songs chart. The duet launches as Grande's third Hot 100 leader and Bieber's sixth, and their

first together. Notably, Grande and Bieber each make their third debut at No. 1 on the Hot 100, joining Mariah Carey and Drake as the only artists with that many starts at the summit. "Stuck With U," released at midnight ET on May 8 on Silent / Raymond Braun / SchoolBoy / Republic / Def Jam, begins as the 1,101st No. 1 in the Hot 100's 61-year history, and the 38th to debut at the summit. "Stuck With U" starts at No. 1 on the Digital Song Sales chart with 108,000 downloads sold in the week ending May 14, according to Nielsen Music/MRC Data. The song was on sale in a variety of physical/digital combination offerings during the tracking week, including copies autographed by Grande and Bieber. Consumers could purchase cassette, CD and vinyl singles, each with a digital download; the download would be sent to consumers upon purchase, with physical versions due to arrive at a later date. The track is the first to crack the 100,000-sold barrier

in a single week in over a year, since Taylor Swift's "Me!," featuring Brendon Urie, soared in with 193,000 (May 11, 2019), also enhanced by a physical/digital retail model. "Stuck With U" opens at No. 4 on Streaming Songs with 28.1 million U.S. streams in the week ending May 14. The track bounds 43-33 on the Radio Songs chart with 26.3 million audience impressions in the week ending May 17, following its first full week of availability. Among format-specific airplay charts, It jumps 25-19 on Adult Pop Songs and 28-23 on Pop Songs and debuts at No. 28 on Adult Contemporary and No. 38 on Rhythmic Songs. A week after soaring from No. 6 to No. 1 on the Hot 100, Doja Cat's "Say So," featuring Nicki Minaj, drops to No. 2. It also falls to No. 2 after a week atop Digital Song Sales (29,000, down 57%); holds at No. 2 on Radio Songs (100.7 million, up 6%); and slips 4-5 on Streaming Songs (26.2 million, down 14%). 6ix9ine's "Gooba" enters the Hot 100 at No. 3, as it launches as his first No. 1 on the Streaming Songs chart with 55.3 million U.S. streams, following its May 8 release. The song is just the third non-holiday title to reach that weekly streaming level this year, following Roddy Ricch's "The Box" and Drake's "Toosie Slide." "Gooba" starts at No. 3 on Digital Song Sales with 24,000 sold (and was available on May 14 in a CD/download combination). It also drew 172,000 in radio reach in the tracking week. The rapper adds his second Hot 100 top 10 and ties best career rank. "FEFE," featuring Minaj and Murda Beatz, reached No. 3 in August 2018. "Gooba" concurrently crowns the multi-metric Hot Rap Songs chart upon its debut, marking 6ix9ine's first No. 1 on the ranking. As for "Stuck With U" and "Gooba" entering the Hot 100 simultaneously, the chart boasts two debuts in the top three in the same week for the first time in four-and-a-half years, since Adele's "Hello" and Bieber's "Sorry" started at Nos. 1 and 2, respectively, on Nov. 14, 2015. The Weeknd's "Blinding Lights" descends 3-4 on the Hot 100, after four weeks on top. It rules Radio Songs for a sixth week, with 114.6 million audience impressions, essentially even week-over-week. It also becomes his first No. 1 on the Adult Pop Songs airplay survey. Megan Thee Stallion's "Savage," featuring Beyoncé, retreats to No. 5 on the Hot 100 a week after rising to its No. 2 high, while claiming top Airplay Gainer honors (61.7 million, up 21%) for a third consecutive week. Drake's "Toosie Slide" descends 4-6 on the Hot 100, following its one-week reign; Roddy Ricch's "The Box" drops 5-7, after it dominated for 11 weeks; and DaBaby's "Rockstar," featuring Ricch, hits a new high at No. 8, lifting from No. 9, while winning the top Streaming Gainer nod (31.7 million, up 12%). Rounding out the Hot 100's top 10, Dua Lipa's "Don't Start Now" falls 6-9, after peaking at No. 2, and Post Malone's "Circles" backtracks 8-10, following its three-week rule, as it logs a record-extending 37th week in the top 10. NAV nabs his second No. 1 album on the Billboard 200 chart, as Good Intentions starts atop the tally. The album was released on May 8 via XO/Republic Records, and earned 135,000 equivalent album units in the week ending May 14, according to Nielsen Music/MRC Data. Of its total starting unit sum, album sales comprise over half of that figure -- 73,000, with nearly all of the sales driven by merchandise/album bundles sold via NAV’s official webstore. NAV’s Good Intentions follows the rapper-singer’s last release, Bad Habits, which landed him his first No. 1 in April of 2019. It launched with 82,000 units earned in its first week. Of Good Intentions’ first-week unit figure of 135,000, album sales comprise 73,000, SEA units total 62,000 (equaling 84.8 million on-demand streams of the album’s songs during the tracking week) and under 1,000 are in TEA units.Nearly all of Good Intentions’ album sales were fueled by merchandise/album bundles. On the final day of the tracking week (May 14), NAV’s webstore had 100 different merchandise/album bundles available associated with the Good Intentions album. In addition, there were 18 physical format/digital album offerings (six CDs, six vinyl LPs and six cassettes). At No. 2 on the new Billboard 200, Kehlani achieves her highest charting album and biggest week ever in total units earned, as It Was Good Until It Wasn’t debuts with 83,000 equivalent album units. Of that sum, 56,000 are in SEA units (equating to 74.68 million on-demand streams of the album’s songs), 25,000 are in album sales (aided by more than 20 merchandise/album bundles) and 1,000 in TEA units. It Was Good Until It Wasn’t surpasses the singer-songwriter’s previous high, logged when her last full-length studio set, SweetSexySavage, debuted and peaked at No. 3 (chart dated Feb. 18, 2017 with 58,000 units). The new album is her third top 10 effort, as she also hit No. 9 with the While We Wait mixtape in 2019 (March 9). Drake’s Dark Lane Demo Tapes slips from No. 2 to No. 3 in its second week on the list, earning 79,000 units (down 64 percent). Of that sum, 77,000 are in SEA units (equaling 105.5 million on-demand streams), nearly 2,000 are in album sales and 1,000 are in TEA units. The 14-track album has no merchandise/album bundles available, nor a physical format album on the market. It’s charting solely from streaming activity and a download album available at traditional digital retailers (iTunes, Amazon, etc.). When Dark Lane Demo Tapes opened at No. 2 a week ago with 223,000 units, it was runner-up to Kenny Chesney’s Here and Now with 233,000 units (powered by sales driven from a concert ticket/album sale redemption offer with his upcoming tour). Here and Now falls from No. 1 to No. 38 in its second week, with 15,000 units (down 93 percent). Back in the new top 10, Lil Baby’s former No. 1 My Turn slips from No. 3 to No. 4 with 72,000 equivalent album units earned (down 28 percent). Rapper Lil Durk scores his second top five-charting album, and best week ever in units earned, as Just Cause Y’all Waited 2 enters at No. 5 with 57,000 equivalent album units earned. Of that sum, 53,000 are in SEA units (equating to 74.67 million on-demand streams of the set’s songs in its first week), 3,000 are in album sales and 1,000 are in TEA units. Lil Durk previously reached the top 10 with Love Songs 4 the Streets 2, which debuted and peaked at No. 4 in August of 2019 with his previous high-water mark for units: 44,000. DaBaby’s previous No. 1 Blame It on Baby falls from No. 4 to No. 6 with 45,000 equivalent album units (down 7 percent). Bad Bunny achieves his third top 10 album in less than a year, as his surprise release Las Que No Iban a Salir debuts at No. 7 with 42,000 equivalent album units earned. Of that sum, 33,000 are in SEA units (equaling 46.2 million on-demand streams for the set’s 10 songs), 8,000 are in album sales (aided by a small number of merchandise/album bundles) and less than 1,000 are in TEA units. The new album debuts with less than five days of activity, as the set was surprise-released last Sunday, May 10. Most new albums are released at shortly after midnight on Friday morning each week, the first day of the Nielsen Music/MRC Data tracking week, and also the day that is generally regarded as when new albums are released globally. Rounding out the top 10 are a trio of former No. 1s: Lil Uzi Vert’s Eternal Atake (5-8 with 42,000 units; down 7 percent), The Weeknd’s After Hours (6-9 with 40,000 units; down 9 percent) and Post Malone’s Hollywood Bleeding (8-10 with 37,000 units; down 4 percent).